Rakesh Sahai – Well known Indian wildlife photographer passes away


Delhi-based photographer,Rakesh Sahai, best known as the most incredible wildlife photographer passes away.

Sahai is survived by his wife, Ritu Sarin, Executive Editor (News and Investigation), The Indian Express, and their daughter, Rashi.
Obituary – Rakesh Sahai – Finest Wildlife photographer of India

Source : http://indianexpress.com

Images : various sites on google

ALWAYS BE SQUINCHING AND OTHER TRICKS FROM A PORTRAIT PHOTOGRAPHER FOR TAKING FLATTERING PICTURES


TRICKS FROM A PORTRAIT PHOTOGRAPHER

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THE 8 WORST HABITS OF BEGINNING PHOTOGRAPHERS


StockImageBank.com

A habit is something one does regularly without thinking. There are good habits, such as looking both ways before crossing a street, more or less benign habits, such as biting the ends of pencils, and bad habits, such as being persistently late. Photographers fall prey to all sorts of bad habits, and becoming aware of them is the first step in breaking yourself of them. From lecturing on photography, exchanging critiques with fellow members of three photography clubs, and so on, I have compiled a list of the worst of a photographer’s habits. These are the habits that beginners often find the most difficult to break and that even experienced photographers drift into more or less randomly without being conscious of them….

to continue reading please click on the link … http://www.picturecorrect.com/tips/the-8-worst-habits-of-beginning-photographers/

The article is shared by StockImageBank.com for non-commercial purpose. Please leave a comment if you find it interesting, useful or engaging.

 

 

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Please click on the link below to read this highly recommended article by us.

http://digital-photography-school.com/3-ways-to-improve-your-images-with-composition/

shared by www.stockimagebank.com  June 2014 for non commercial use.

Royalty Free (RF) – What is it ?


Royalty Free (RF)
“Free” in this context means “free of royalties (paying each time you use an image)”. It does not mean the image is free to use without purchasing a license or that the image is in the public domain.

  • Pay a one-time fee to use the image multiple times for multiple purposes (with limits).
  • No time limit on when the buyer can use an image.
  • No one can have exclusive rights of a Royalty-free image (the photographer can sell the image as many times as he or she wants).
  • A Royalty-free image usually has a limit to how many times the buyer can reproduce it. For example, a license might allow the buyer to print 500,000 brochures with the purchased image. The amount of copies made is called the print run. The buyer is required to pay a fee per brochure, usually 1 to 3 cents, for additional prints. Magazines with a large print run cannot use a standard Royalty-free license and therefore they either purchase images with a Rights-managed license or have in-house photographers.

Stockimagebank.com

INDIAFRICA – A shared future


INDIAFRICA: A Shared Future is a unique people to people initiative that aims at engaging multiple stakeholders in India and Africa through contests, fellowships, discussions, events, collaborative projects and cultural exchanges.

INDIAFRICA is supported by the Public Diplomacy Division, Ministry of External Affairs, Government of India and is managed by theIdeaWorks, Enterprise partner www.StockImageBank.com
INDIAFRICA works very closely with various institutions in Africa and India to drive this initiative. Visit www.INDIAFRICA.IN

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INDIAFRICA Photography Contest 2014 

Are you interested in photography and like narrating a story through photographs? Participate in this contest to win attractive cash prizes and get your work showcases at international platform.

Theme
My City

Prizes

  • Twenty prizes of INR 25000* each
  • Certificates for all winners
  • INDIAFRICA merchandise for all winners
  • Winning works to be curated into an exhibition
  • Feature the winning entries and winners on www.stockimagebank.com – one of India’s leading image libraries.

Timeline
Start date: 23 January 2014
End date: 30th April 2014

Your imagination will set you apart by Udita Singh


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They say “an image is worth a 1000 words”. I couldn’t agree more. I recently saw an image that pierced me in places I didn’t know existed. It was a picture of a frail old man, a panhandler, standing with a stick for support in one hand and a begging bowl in the other. His head hung extremely low and the people around him in the photograph just seem to walk on past him. Was he invisible to them? My heart just broke.

I wondered. What really is the purpose of this image or images in general?

It is my belief that the purpose of an image then is to be evocative, to haunt you with the unspoken, to alter your state of mind for a brief moment, to transport you to places, to make you wonder, to give you a glimpse of someone else’s life, to capture a fleeting moment, to inspire, to tell a story … the list is endless. Whether you are a hobbyist or a professional photographer, each capture is a once in a lifetime event.

But then how does one distinguish good photography from bad? Coming back to the old man narrative in the preceding section, what I didn’t mention then was the fact that this image was black and white. It was dramatic; it had an arresting center of interest (the subject), the lighting albeit natural – set the right mood and had a strong impact. If the same image was in colour, I believe it would have lost almost all those qualities.

There are certain key elements in good photography in any genre of the art form whether it is stock photography, street photography, nature photography, so on and so forth.

1.      Timing and Composition – Perfectly timed images make for perfect images.

2.      Lighting – It sets a striking mood. And your image will be striking when it’s used effectively. Do not be afraid to experiment with natural lighting.

3.      Editing and publishing – Be selective in choosing your images and pick few to publish. There is sense and satisfaction in exclusivity.

4.      Effects – The right effects can achieve and say a lot about your image.

5.      Consistency – Maintaining the same feel and movement in your body of work, especially individual projects.

6.      Steering away from the obvious – No one wants to see clichéd pictures of sunsets and tourist attractions! Step out of your comfort zone and challenge yourself to see what no one else does! Do not overlook tiny details.

One can write endlessly about the zillion technicalities involved in image making but to me “the” most important element in good photography is that individual’s vision behind the camera lens.

All you really need is your imagination and curiosity to set you apart from the crowd. How far are you willing to go to tell your soul stirring story?

Article Credit : Udita Singh                                                                                      Udita is a dreamer. She works in the creative department at  http://www.StockImageBank.com. A cheerful, bright spot that she is, she is very observant. This ability has created a very honest expression of her point of view on images and photography. We though it was worth sharing with all of you ! Hope it changes the way you look at the image.

Dear Photographers, Your Creation is your livelihood !


Dear Photographers worldwide,
How may of you are aware of your rights ? How many of you actually take the initiative to make friends and family around you aware that plagiarism of images is a crime. Lifting images from google, flicker & elsewhere on the net and using for commercial endeavours is inappropriate. That the creator of that image at the end of the tunnel, is someone like yourself who has invested in equipment, has spent time and energy with a lot of passion to create something that they “Love”, love enough to use commercially !!
There are a lot of more important issues I understand, but unless each one of you make it you personal mandate to speak about it and educate plagiarism will continue.

WP MAy 2013
Educated professionals from advertising such as visualizers, art directors, creative directors, marketing heads, branding and communication professionals , editors, magazine owners, press, media, business owners  … Lets all work towards sensitising the world around us.

Piracy of images is a crime !! Period. Unite and address this.

I would urge you to share this. Creation of images is a livelihood for photographers everywhere. Only if we join hands and create awareness in each of our circles will this be viewed as unethical. Its a chain.

Images will always be a part of communication. If we want to continue creating good work that enables business to generate revenue ( directly or indirectly ) we should all come together. We at StockImageBank.com are always available to assist anyone who needs guidance to know know more. Please feel free to write to me directly or make it a discussion in open forums !!

Till then Happy Shooting ! !

– Sugandha Dubey, is the founder of http://www.stockimagebank.com, one of India’s Premier Stock Photo Agency.

Silver Nitrate Art – New Beginnings !!


We promote vibrant upcoming and very talented amateurs. We were honoured by the  invitation to inaugurate an exhibition, by wonderful group of professionals from various walks of life, showcasing their works for the first time at India Habitat Centre New Delhi. We were absolutely thrilled to see the amount of talent pool that existed !!

Silver Nitrate Art
Silver Nitrate Art ‘s First Group Show : Curator :Mohit Gupta — with Mohit AhujaMani Agrawal,Karan SinghKamal JaitelyDeepti BhatiaLatika Nath RanaMohit GuptaVinamra KumarAnil BudhrajaSugandha Dubey and Geeticka Chauhan.

553010_10151524241783376_873307448_nWe enjoyed looking at some fresh perspectives and what was most enjoyable was that each one of the artist was engaged in an otherwise routine job. Bankers, Finance professionals, advertising agency owners, investors, students, sales professionals homemakers… it was an utter delight !

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The turnout to this exhibition was fabulous ! The interactions with the guests present were interesting, insights drawn and overall a very satisfying experience.

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We would like to give a special mention to Mr. Mohit Gupta, the curator of this exhibition on this initiative. He hold a full time job in a well known organisation and it is his passion in photography that drives him to encourage and bring together a group of likeminded people on this platform. He shares the proceeds of exhibition with NGO’s he is working with and this is commendable.

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This group of young photography enthusiasts are to watch for !! We certainly look forward to some exceptional work. During our interactions with them we spoke about various aspects. Licensing, copyrights and the correct channels of monetizing their works. We as StockImageBank.com certainly look forward to representing them and assisting them in all ways to help them in their Pursuit of Happiness the theme of this exhibition !

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Please accept our Best Wishes in all the future endeavours Nitrates !! We certainly are eagerly waiting for your next !!

to know more about them please visit the FB page of Silver Nitrate Art at https://www.facebook.com/SNo3Art?fref=ts

10 Tips for Shooting Stock Photos That Make Art Directors Happy


The stigma of using stock is pretty much a thing of the past, and maybe you’ve decided shooting for any number of stock houses is something you’re going to try.

Now, none of these are absolutes — rules set in stone being the last thing a creative wants — but having a general idea of the types of things we look for may help your work sell better.

Some of these suggestions may overlap, and others may be relevant depending upon your situation. A lot also has to do with the agency, and what categories they work on. So in no particular order, here are my 10 recommendations:

1. Shoot what you know.

If you shoot great landscapes, why all of a sudden try medical research and high tech just because it’s popular? Go ahead if you want, but understand that there’s a lot of competition out there already, so your shots of lasers better really stand out. If you do want to try a category you may not have tried before, look at existing collateral in that category in the form of brochures, Web sites, posters, point-of-sale materials, etc. This will help familiarize you with current styles and trends.

2. Know your category.

This goes hand in hand with the first one. When you really understand a category (teens, automotive, cuisine, etc.), chances are you’ll be able to dig a little deeper and come up with shots and angles nobody else can see, especially if you live that category.

3. Don’t shoot just what’s popular.

Sounds contradictory to the mission at hand, which is to shoot stuff that sells. What it means, though, is don’t give me the same thing I can get from 100 other photographers, especially if you know that category like the back of your hand. That’s even more reason to push yourself.

4. Bore me.

Okay, another contradiction. Let’s say you’re shooting hands. Give me a wide range of realistic but natural positions, nothing elaborate. Simple, relaxed hands holding a coffee cup, on the phone, tapping a desk, etc. And close-up too. Please shoot close on a few shots. I can’t tell you how many times I’ve found the perfect position for a hand that was part of a larger shot, but when I went to enlarge it, the hand is grainy or not really in focus.

5. Don’t bore me.

So you covered the boring shot of the engine block. Now, give me an extreme close-up and dramatic POV shot. Maybe shoot all macro B&W. It’s here where if you are shooting a category you know that I want you to really push things and explore.

6. Keep it simple.

Don’t clutter up a shot. I personally respond to things that are clean; leave an area around the subject, too. For example, for a shot of someone walking on the beach, normally you see various poses of someone shot full-figure at water’s edge but without enough sky in the pic or “space” on either side of them. I don’t mean become like David Lean and shoot everything long and epic with man as but a tiny speck in a vast landscape — just don’t always crop nature out of a scene so much. Yes, that’s what Photoshop is for, but why not save the studio some retouching time?

7. Easy on the themes.

This one goes with the last one and is subjective. Now, I can’t make you stop shooting whatever weird fantasy you have going on in your head, but when I see a CD collection on Photodisc with extreme characters, bizarre props and really outlandish color schemes, you’ve pretty much guaranteed that I’ll take a pass. Why? Because the 50 Elvis impersonators standing in a field at night with lit sparklers is just too specific a theme for me to ever use. I’d have to be looking for that from the start, and what are the odds we’d need something like that unless the piece called for it? Very low indeed.

However, this is not the same thing as shooting retro motels, diners or cars, or even a range of someone’s emotions. Say you have a particular lighting style and you’re shooting a series of laundromats. Just keep the scenes simple. Places like that already have enough character without a ballerina on a dryer.

We also don’t need you to do anything “extra” with a funky old Chevy; it’s cool as is, trust us. We want shots simple because, well, we’re going to do something with them ourselves more than likely and we just don’t need anything else messing with that. So get Elvis out of the car, please.

8. Include the entire subject in a shot.

Related to “Keep it simple,” but shoot a range of shots in terms of both angle and proximity. Just like the movies, we like the same type of coverage: wide, medium and close-up shots — all of it.

If you want to focus on the corner of a cool sign outside some Route 66 motel, fine. (Just like we dig old cars, we also like anything retro — like signs.) But back up and make sure you get a shot of the entire sign with plenty of background around it. There’s nothing like finding the perfect shot, only to see part of it missing.

And when you get the entire sign in the shot, please also remember to shoot a straight-on angle of it and not just a low POV off-center that might distort things.

9. Avoid cliches.

Like, businessmen in suits with briefcases running against each other around a track. Let me guess: the rat race?

10. Keep it real.

Have your talent save the bad acting for soap operas. Honest, genuine expressions, please. Real moments where you catch people with their guards down are far more appealing than the shiny happy people R.E.M. sang about. Speaking of bands, find a real band — there are plenty of up-and-coming bands — and shoot them in a real club. Avoid the model who doesn’t know how to even hold the guitar and waves her arm wildly like Pete Townshend.

Article credit : Bill Green

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